"Well, if that will make it succeed!" Mrs. Gereth took back her shilling, but she still kept the telegram. "As he's most probably not there—" "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.!

"She would if Owen had described your outbreak to Mona." "Of course he doesn't know!" cried Fleda indignantly.

"If she does take it ill of you." There came to her at her sister's no telegram in answer to her own: the rest of that day and the whole of the next elapsed without a word either from Owen or from his mother. She was free, however, to her infinite relief, from any direct dealing with suspense, and conscious, to her surprise, of nothing that could show her, or could show Maggie and her brother-in-law, that she was excited. Her excitement was composed of pulses as swift and fine as the revolutions of a spinning top: she supposed she was going round, but she went round so fast that she couldn't even feel herself move. Her emotion occupied some quarter of her soul that had closed its doors for the day and shut out even her own sense of it; she might perhaps have heard something if she had pressed her ear to a partition. Instead of that she sat with her patience in a cold, still chamber from which she could look out in quite another direction. This was to have achieved an equilibrium to which she couldn't have given a name: indifference, resignation, despair were the terms of a forgotten tongue. The time even seemed not long, for the stages of the journey were the items of Mrs. Gereth's surrender. The detail of that performance, which filled the scene, was what Fleda had now before her eyes. The part of her loss that she could think of was the reconstituted splendor of Poynton. It was the beauty she was most touched by that, in tons, she had lost—the beauty that, charged upon big wagons, had safely crept back to its home. But the loss was a gain to memory and love; it was to her too, at last, that, in condonation of her treachery, the old things had crept back. She greeted them with open arms; she thought of them hour after hour; they made a company with which solitude was warm and a picture that, at this crisis, overlaid poor Maggie's scant mahogany. It was really her obliterated passion that had revived, and with it an immense assent to Mrs. Gereth's early judgment of her. She too, she felt, was of the religion, and like any other of the passionately pious she could worship now even in the desert. Yes, it was all for her; far round as she had gone she had been strong enough: her love had gathered in the spoils. She wanted indeed no catalogue to count them over; the array of them, miles away, was complete; each piece, in its turn, was perfect to her; she could have drawn up a catalogue from memory. Thus again she lived with them, and she thought of them without a question of any personal right. That they might have been, that they might still be hers, that they were perhaps already another's, were ideas that had too little to say to her. They were nobody's at all—too proud, unlike base animals and humans, to be reducible to anything so narrow. It was Poynton that was theirs; they had simply recovered their own. The joy of that for them was the source of the strange peace in which the girl found herself floating. Invited by her companion, who had asked if it weren't wonderful, Mrs. Gereth had begun to say a word about Poynton; but she heard a sound of voices that made her stop short. The next moment she rose to her feet, and Fleda could see that her alarm was by no means quenched. Behind the place where they had been sitting the ground dropped with a certain steepness, forming a long grassy bank, up which Owen Gereth and Mona Brigstock, dressed for church but making a familiar joke of it, were in the act of scrambling and helping each other. When they had reached the even ground Fleda was able to read the meaning of the exclamation in which Mrs. Gereth had expressed her reserves on the subject of Miss Brigstock's personality. Miss Brigstock had been laughing and even romping, but the circumstance hadn't contributed the ghost of an expression to her countenance. Tall, straight and fair, long-limbed and strangely festooned, she stood there without a look in her eye or any perceptible intention of any sort in any other feature. She belonged to the type in which speech is an unaided emission of sound and the secret of being is impenetrably and incorruptibly kept. Her expression would probably have been beautiful if she had had one, but whatever she communicated she communicated, in a manner best known to herself, without signs. This was not the case with Owen Gereth, who had plenty of them, and all very simple and immediate. Robust and artless, eminently natural, yet perfectly correct, he looked pointlessly active and pleasantly dull. Like his mother and like Fleda Vetch, but not for the same reason, this young pair had come out to take a turn before church.